Monday |
Tuesday |
Wednesday |
Thursday |
Friday |
| 9:40-11:05 CINE 252(01) FILM & VIDEOMAKING I Gerstein B90 (16) 10:05-12:05 CINE 121 (01) EXPERIENCE, HISTORY & ANALYSIS OF CINEMA Jesionowski LH6 (99) |
10:05-12:05 CINE 380G FRAMELIMITS: THE AESTHETICS OF RESISTANCE & RESTRAINT Jesionowski LH6 (19)* 10:05-11:30 CINE 253 INTRO TO CREATIVE SOUND PROCESSES McCollum B-8/LH-B90 (16) 10:05-1:05 CINE 257 (01) INTRO TO DIGITAL PHOTO Gerdes SW-B17 (12)* 11:40-1:05 CINE 353 DIGITAL VIDEOMAKING 2 Staff LH-B90 (18) |
9:40-11:05 CINE 252 (01) FILM & VIDEOMAKING I Gerstein B90 (16) 10:05-12:05 CINE 121 (01) EXPERIENCE, HISTORY & ANALYSIS OF CINEMA Jesionowski LH6 (99) 12:00-1:25 CINE 456 ADVANCED IMAGE MANIPULATION Gerstein, LH-B90/SW-B17 (16) |
10:05-12:05 CINE 380G FRAMELIMITS: THE AESTHETICS OF RESISTANCE & RESTRAINT Jesionowski LH6 (19)* 10:05-11:30 CINE 253 INTRO TO CREATIVE SOUND PROCESSES McCollum B-8/LH-B90 (16) 11:40-1:05 CINE 353 DIGITAL VIDEOMAKING 2 Staff LH-B90 (18) |
|
| 12:00-1:25 CINE 456 ADVANCED IMAGE MANIPULATION Gerstein LH-B90/SW-B17 (16) 1:10-3:10 |
1:15-2:40 CINE 351 FILMMAKING II McCollum LH-B90 (18) 1:15-2:40 CINE 285A INTRO TO AFRICAN CINEMA Okpewho (5) 2:50-4:15 CINE 252 (02) FILM & VIDEOMAKING I Staff LH-B90 (16) 2:50-4:50 CINE 121 (02) EXPERIENCE, HISTORY & ANALYSIS OF CINEMA Rodais LH6 (99) |
1:10-3:10 CINE 321A FILM THEORY Wall LH-6 (17)* |
1:15-2:40 CINE 351 FILMMAKING II McCollum LH-B90 (18) 1:15-2:40 CINE 285A INTRO TO AFRICAN CINEMA Okpewho (5) |
|
| 3:30-5:30 CINE 286L GUNS AND MONSTERS Jesionowski LH-6 (99) 3:30-7:00 CINE 285U ACT OF PROPAGANDA LENI RIEFENSTAHL Majer-O"Sickey (15) 3:30-4:55 ARTH 280/CINE 286G HISTORIES OF PHOTOGRAPHY Tagg (5)** |
2:50-5:50 |
3:30-5:30 CINE 286L GUNS AND MONSTERS Jesionowski LH-6 (99) 3:30-4:55 ARTH 280/CINE 286G HISTORIES OF PHOTOGRAPHY Tagg (5)** |
2:50-4:15 |
|
| 5:50-8:50 CINE 122 EXPRESSION & INNOVATION IN FILM & VIDEO Wall LH-6 (70) |
5:50-7:50 CINE 285N ALIEN ENCOUNTERS: SCI-FI CINEMA Rodais LH-6 (100)
|
|
5:50-7:50 |
7:00 -10:00 |
|
*Cross Lists - Cinema as Parent: |
||||